2022–23 featured artist: Allen Bryan
After setting up an easel at the age of four to paint next to his aunt, Allen Bryan has been a visual artist for his entire life. Allen's career includes being a teacher of art and filmmaking in a public school system, a partner of a fine craft gallery, a jewelry designer/goldsmith and for the last 40 years, a photographer. For the past decade he has been making connections between his early pictures of quickly taken street photographs or ironic juxtapositions and the slower, contemplative landscape work that followed when he learned that his eyesight was slowly diminishing. Having less than ten degrees of visual field, he sees things in discrete sections, with no periphery on the sides or up and down. Things appear suddenly or not at all. His color perception is reduced as well. He says, "I became a better photographer after I learned that I was losing my eyesight."
In his work, the viewer is invited into unsettling places and precarious living situations to discover something of the lives of the phantom occupants. These are worlds that are not as real as they appear at first glance. They are figments constructed from film and digital images spanning many years. Planes and perspective often conflict and contradict. Exteriors intrude into interiors through windows and doors left carelessly ajar. People are mere ghostly blurs or fragmented presences at the picture's edge. Wandering through these unstable environments, hoping to uncover their stories, time becomes an active element. His pictures reexamine and reorganize his photographic life through photo assemblages that question a comfortable reality. These narratives from his continuing series, Comforts of Home: Figments of Domestic Tranquility, ironically grew into a format much wider than Bryan can see in a single glance.
2021–22 featured artist: Jen Dacota
Back to School
Medium: Mixed media
When Jen Dacota saw her MRI, and the "big black hole" where part of her brain used to be, her jaw dropped! What had happened to her was truly horrific. Dacota had just suffered a bilateral hemorrhagic occipital stroke, and was very lucky to have survived.
While home recovering, and with damaged, reduced vision, and comprehension difficulties, she knew right away that life would be different, and she could not continue to pursue her rewarding career as a Physical Therapy Assistant in a hospital. Having worked in Physical Therapy, a most useful idea sparked – why not try to paint as a form of therapy? She had always been artistically inclined, but had never tried painting.
Starting over as a visual artist with a disability, Dacota began with what she knew. Her first artworks were attempts at copying realistic images she found. Active in her new creative outlet, she ultimately found herself dissatisfied with the outcome, and felt she was failing. Dacota finally realized that her kind of brain damage was hindering the process.
All of Dacota's emotions that were built up, from the stroke and her inability to connect with her art, were clamoring to escape. She put away the books and magazines filled with images, turned on some lively music and simply began to paint. All her frustrations and disappointments melted away! Painting has put her in touch with her true self and feelings. Through painting, Dacota can express herself without using words. She finds "the gift of creativity" to be a valuable gift received from her stroke.
Dacota knows that creating a painting is far more involved than dancing around and flinging paint. She says a good painter has a cohesive understanding of color theory and composition, and these are elements of design that she learned a lifetime ago, having received a B.A. in Arts Education.
Dacota challenges herself with every painting she creates. She knows a painting is a success when she feels every problem before her is solved, and all the elements of design work together beautifully.
2020–21 featured artist: Sriharsha Sulka
Medium: Acrylic on canvas
Indian artist Sriharsha Sukla was born deaf and nonverbal, and has been painting since early childhood. He is prolific, successful, and participates in many exhibitions for artists with disabilities. Sriharsha was trained in Patachitra, a traditional, clothbased scroll painting, based in the eastern Indian states of Odisha and West Bengal. This artform is known for its intricate details as well as mythological narratives and folktale themes. Sriharsha has a BFA from the Uktal University in India, and has learned to visually express himself in many mediums, including oil painting, watercolor, photography, and also computer animation used in several Bollywood films. A versatile artist, Sriharsha specializes in landscape and portrait art using a cut paper collage technique, regularly on view at Bryn Mawr Rehab. His artwork was awarded 1st place in Art Ability's Works on Paper category in 2007. Sriharsha also teaches collage workshops to youth and adults. Sriharsha has been encouraged by his parents, especially his mother, to be a professional artist. In spite of their disabilities, Sriharsha and his brother Siddhartha, also a deaf Art Ability artist, feel abled in every respect. They say that they never feel inferior to others because they are "differently abled." In recent years, the use of social media and computer-based communication has given Sriharsha new ways to communicate with the deaf community all around the world. In 2017, we had the pleasure to meet Sriharsha at Bryn Mawr Rehab. He attended the Preview Reception and visited the hospital for several days that week. Because he uses American Sign Language, many of our guests were fortunate enough to communicate with him with the assistance of a translator. A frequent participant in Art Ability, Sriharsha's artworks have developed a strong following. He feels fortunate to have an opportunity like Art Ability that pushes him to be a successful professional, alongside other career artists.
2019–20 featured artist: Carol Spiker
Up, Up and Away
Medium: Oil on paper
Carol Spiker, a former patient at Bryn Mawr Rehab Hospital, has always had a passion for graphic arts. As a busy mom who raised two boys, Carol worked for an ad agency, did a great deal of volunteer work, ran a couple of marathons, and started a lacrosse program that ran for 26 seasons. She then returned to school in the late eighties to study painting, as she wanted to begin creating art that was inside-out versus outside-in. This journey continues today after a few big twists and turns along the way.
In 1998, Carol was thrown into a creek when her car was hit on I-95. She realized immediately that she was paralyzed, and her only words were: "thank God I have my hands." Yes, being paralyzed makes painting more difficult, and she can no longer tackle that 8' x 10' canvas. But, she can still paint. She is one of the lucky ones, and art has become a driving force in her life, a focus that has sharpened even more after her accident.
Painting is her passion—no matter how often she has explored other directions, the figure continues to pull her back to a brush and a canvas. Carol has found that color choices are an important part of her creative process. Her decisions involving colors have evolved over time and reveal evidence of her feelings, while at the same time grow into beautiful passages that empower the picture's surface. Carol says, "I would have loved to hang out with Richard Diebenkorn and the Bay Area Figurative painters in the 50's or Milton Avery in NYC in the 40's!"
Making art exposes oneself, and for Carol, it can be scary. Over time, she has learned that it takes courage to put your creations out there to be seen by the world and for others to judge. Somehow, this understanding—that she must be brave—has helped her through her twenty-year journey as a paraplegic.
2018–19 featured artist: Maureen Collins
My art weaves through photography, fabric design, porcelain and silver jewelry, collage, and painting. Inspiration is everywhere: everyday images, sounds, a well turned phrase, colors, textures, the tension of contrast. Re-interpreting each allows me to make them uniquely my own. Creativity is a core part of my soul's expression. A life changing illness, Guillain-Barre Syndrome, years ago left me hospitalized and paralyzed for seven months, with many years of physical therapy in the recovery process. It challenged me to find new modalities of expression, as I learned to move and walk again. Deficits on my left side, in my hands and feet made me explore different ways to express my creative core. Being able to work in the exquisite earth of porcelain again became PT for my hands, and healing for my soul. My work in photography, with printing on metal, has morphed into printing on fabric. The symbolism of moving from paralysis (metal) to fluidity (fabric) is represented here, with the same image being replicated on each substrate. The healing process is the link between the two.
All of the challenges, sensory deficits, pent up feelings of being immobilized for so long gifted me with an unfailing sense of gratitude for the abilities that I recovered. It also infused me with exquisite qualities of hope, to which I anchored my next anticipated movement, my next achieved step, my next desired adventure. Hope was the catalyst that I enlisted to help me move forward, a synergistic partner with creativity, an incentive that propelled me through each day and night. I am grateful for art and creativity in the process of recovery, for the ability to share the beauty and uniqueness in the gift of each day. My mantra now is "Do what you can't!" It inspires me to believe that I can do things that I once thought I couldn't.
It gives me hope.
2017–18 featured artist: Allison Merriweather
Faith & Love
Medium: Acrylic on canvas
Allison Merriweather has been selected as the featured artist for Bryn Mawr Rehab Hospital's 2017–18 annual Art Ability Exhibit showcase, which begins on Sunday, November 5. The Houston-based painter, who lives with dyslexia and dyscalculia, says art helps her to enjoy a short-lived escape from reality.
Merriweather explains her foray into art and how it helps her cope with her disability.